Glen Vilppu Drawing : Manual Chapter 12 - Atmospheric Perspective художник видеоуроки - 26 Октября 2008

Главная » » Glen Vilppu Drawing : Manual Chapter 12 - Atmospheric Perspective художник видеоуроки

12:55

Glen Vilppu Drawing : Manual Chapter 12 - Atmospheric Perspective художник видеоуроки

Glen Vilppu Drawing : Manual Chapter 12 - Atmospheric Perspective

Glen Vilppu Drawing : Manual Chapter 12 - Atmospheric Perspective
» Glenn Vilppu Studio
» Glenn Vilppu's Resume
» Glenn Vilppu Drawing Online : Gesture by Glenn Vilppu
*********************************************************

Glenn Vilppu

About Glenn Vilppu
In over 45 years of teaching drawing my focus has been to bring to the student logic and practical application of drawing in communication. Drawing is thinking and feeling and the needs of the artist today to communicate are no different than they have been down through the ages.
All artists have the same problems that they must deal with the differences are in their interests and the order of importance they give to various elements. I do not teach a style, I teach tools of communication and give direction to acquiring knowledge. Knowledge coupled with the development of skill and feeling is what creates the magic. There are no Rules, just tools. In the many means that
I use to teach, DVD's, Books, Subscription Drawing Lessons, you will find the same threat of logic. Get the total and communicate it as clearly as you can.

***

Atmospheric perspective is normally discussed in conjunction with landscape painting since its true effect is primarily seen in nature in conjunction with great distances in space. The figurative artist has taken this sense of atmosphere and developed it as a strong tool of expression by abstracting the main elements and learning to use them while describing form. In the last two chapters, I have already indicated some of the main elements involved in atmospheric perspective. First, the graying and loss of detail as objects recede in space due to more atmosphere coming between the viewer and the object. Second, the use of this phenomenon in a formulaic manner by artists to separate forms. In this chapter, using the idea of atmosphere will be expanded upon to include its use as a basic element of design in drawing to enhance the action of the figure and to clarify the three dimensionality of the form. Glenn breaks this down into a series of steps that are easy to understand and apply.

***

Contains: Lecture, demonstration and a model to draw.

***

Уже на AllDay.ru !
***